—GK, It was hard to imagine that the show could come up with a more fitting theme song than the one it originally had, but damn if this second iteration didn’t pull it off! Great ’80s hair, though, gang. If Tovah Feldshuh and Patti LuPone throwing lyrical shade at the Beastie Boys and Haim and rhyming “the sweet and the bitter” with “Streisand and Hitler” doesn’t inspire pure, unadulterated joy, well, you’d probably fit in well with the crowd at Rebecca’s cousin’s bar mitzvah. —Genevieve Koski, “When Will Josh and His Friend Leave Me Alone?” season 2, episode 4, In theory, a makeover montage as cheer routine sounds fun, but in practice, this song is just monotonous at a level that even Rachel Bloom’s chipper delivery of “I had a stroke!” cannot salvage. —CF, “Josh and I Work on a Case!” season 1, episode 12, Rebecca’s unblinking enthusiasm make her an ideal Music Man con woman. —CG, “Josh and I Go to Los Angeles!” season 1, episode 13, Rebecca stirs her community to a Les Mis-y rebellion that’s far more interesting in theory than in practice, but at least it contains a B.J. —CG, “Will Scarsdale Like Josh’s Shayna Punim?” season 2, episode 10, This ridiculously costumed ode to the reckless optimism of romantic infatuation is a fairly straightforward homage with a few fun musical flourishes elevating it to something a bit more special, like Josh and Rebecca’s octave-spanning “no more ups and downs, only ups and ups and ups!” and “live fade out, live fade out, live fade out ...” Bonus points for Heather’s flawless Soul Train exit. —Caroline Framke, “Why Is Josh’s Ex-Girlfriend Eating Carbs?” season 2, episode 5, A good Josh song is always like Josh himself — a little fluffy, a little vacant, and straight to the point. Paula’s half-toxic, half-aspirational friendship with Rebecca is one of the show’s richest emotional wells; Champlin’s powerhouse voice can do everything from a Disney princess vibrato to a soulful belt, and when given license to let loose, she can light up the entire screen. But what makes it great is Rebecca’s boundless belief that if she can only perform the right kind of effortless cool-girl femininity, Josh will surely fall madly in love with her forever. Biden’s key national security picks had their confirmation hearings. Each episode features a few songs written by Rachel Bloom, Adam Schlesinger, and Jack Dolgen. (Get outta here, Steve Jobs!) But for as strong as she sounds on the plentiful rockers here, Lambert also lets her guard down on Crazy Ex-Girlfriend, as she as she soaks her "Love Letters" with tears, sweetly sighs in "Desperation," and sadly wishes she was "More Like Her" as she looks on as her ex-lover returns to his old love. We’re not mad about it. The musical numbers are all over the board (in a really good way) … Not only is it a catchy earworm that acts as a handy recap for how Rebecca ended up in West Covina, but it also pokes fun at the entire idea of the show by acknowledging that the “crazy ex-girlfriend” label is “a sexist term” — a charge lobbed at the show before it even premiered. Miranda Lambert knows exactly who she is as a musician, and nowhere is that clearer than how the three covers here -- Gillian Welch co-wrote "Dry Town," Carlene Carter and Susanna Clark penned "Easy from Now On" (which Emmylou Harris popularized), and Patty Griffin authored "Getting Ready" (also heard on her own 2007 album, Children Running Through) -- blend seamlessly with Lambert's eight originals. The choice of Fr. To Josh, With Love. —GK, Heather’s deadpan disgust with her big musical theater moment is a thing of beauty, but it’s the giant cheesy grins on the faces of her background dancers that really put this one over the top. but largely forgettable. —CG. With its Bridget Jones-esque torturous date night prep juxtaposed against a breathy R&B number, the song let us into the show’s winking participation in patriarchal bullshit. "A F***ton of Cats" NOTE: The broadcast version is called "Buttload of Cats," and I trust I don't need … Instead, it’s an impeccably crafted piece of infectious joy, and a perfect example of everything this show does best. Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, & Amazon. —CG, “Josh and I Are Good People!” season 1, episode 5, This “Butterfly Kisses” parody is super uncomfortable, but it helps that Darryl is just as weirded out by it as the rest of us are. It has to give us our first impression of our heroine, introduce us to the decision she makes that will drive the entire plot, and set the stage for the show’s quirky musical conceits, all while serving up an entertaining pastiche of the classic movie-musical showstopper. Fingers crossed for a reprise. —CG, “Who Is Josh’s Soup Fairy?” season 2, episode 8, Josh’s songs often revolve around the joke that he’s not that bright. Up until episode 38, when … It’s Crazy Ex-Girlfriend meets Singin’ in the Rain, and lo, it is a total delight. Novak cameo. And while this show is generally a master at sliding around FCC regulations, there may have had no greater (and more beautifully constructed) test than this song’s purred, “Let me choke on your cocksuredness.” —CF, Full disclosure: One person on our panel inflated this ranking by rating Darryl’s nearly lyric-free dance number much higher than everyone else, who apparently lack that person’s admiration for a nicely curated cheese platter and and a well-chopped throw pillow. Witty, dark, catchy, and very original-- all of these songs demonstrate what a great work Crazy Ex-Girlfriend has been evolving into. In less than three minutes, this song tells us everything we need to know about Rebecca’s relationship with her mother, who barely takes a breath from the second she bursts in the door. Sara Bareilles and Josh Groban, 'Big Mouth', 'Crazy Ex-Girlfriend', and 'The Good Fight' all found a place on EW's list of best original TV songs of 2018. Crazy Ex-Girlfriend (The CW) made musical theater nerds of us all with its hilarious, thoughtful, and challenging first season, which comes to an end on Monday, April 18. Every day at Vox, we aim to answer your most important questions and provide you, and our audience around the world, with information that empowers you through understanding. What’s great about this song is that it takes a woman’s first fumbling sexual encounter, something typically framed as a dramatic loss of innocence, and turns it into a joyous, celebratory nostalgia trip. Chip in as little as $3 to help keep Vox free for all. Donna Lynne Champlin as Paula is the great secret weapon of Crazy Ex-Girlfriend. Now they’re getting arrested. As a first impression for what was to come, this theme song nailed it so hard that it was genuinely sad to see it go come season two. That person invites the rest of the panel over to her place to talk this out over some crudités and glowsticks. Crazy Ex-Girlfriend is an American musical comedy-drama television series, created by Rachel Bloom and Aline Brosh McKenna, that premiered on The CW on October 12, 2015. The beauty of this one comes from the withering disdain projected by Rebecca’s backup dancers as she sexy-baby-coos her way through her triangle puns: “We’re starting to suspect / you don’t sincerely want to know about triangles!” they complain. —CG, “Nathaniel Gets the Message!” season 3, episode 9, Let’s get the nitpicking out of the way first: The reveal that Josh is an actual stripper (not just an imaginary one) is poorly integrated into this song; if they’d done a better job establishing a difference between the real stage and the dream stage, it would have played better. Click the links below if you want a crash course on editing: Whenever you feel ready hit the "edit" button on any page to add stuff you know! Playlist help request: the songs that inspired Crazy Ex-Girlfriend songs I’m making a Spotify playlist for all the songs on crazy ex-girlfriend that are based off of or inspired by another song. Ratings varied wildly from person to person: Because the fundamental appeal of a Crazy Ex-Girlfriend song is almost always the “too real!” factor, and everyone has a different “too real!” trigger, no one could agree on which songs were outstanding as opposed to merely good. —GK, “Josh’s Ex-Girlfriend Wants Revenge.” season 3, episode 1, The season three opener left us in no doubt that Crazy Ex-Girlfriend was back and as savvy as ever about the gender divide. But the heart of this song lies in Rebecca’s achingly relatable sense of loneliness and alienation. It’s fine. —Aja Romano, “Josh and I Work on a Case!” season 1, episode 13, Though it’s a winning moment for Rebecca, this ensemble reprise is less Les Mis-y, and therefore less interesting, than its progenitor. Crazy Ex-Girlfriend would have been impressive if it was just a showcase of her strengths as a singer or as a songwriter, but since it is both, it's simply stunning, a breakthrough for Lambert and one of the best albums of 2007, regardless of genre. I Never Want to See Josh Again. —CG, We knew Heather was cool before this song, but this is where we find out just how cool. Miranda Lambert didn't win the first Nashville Star in 2003, but she sure is the first bona fide star the televised music competition has produced, as her stellar 2007 sophomore album, Crazy Ex-Girlfriend, proves beyond a shadow of a doubt. Last Friday, Crazy Ex-Girlfriend officially released its 100th and 101st songs. Any list of Crazy Ex-Girlfriend’s best songs would be incomplete without it, and while Greg Serrano may have escaped the Cov, this song will never abandon us. This song levels up brilliantly — from the fact the plane has a dream ghost (in the form of Rachel’s therapist, Dr. Akopian) to the fact the plane is carrying multiple airplane dream ghosts, played by the powerhouse trio of Michael Hyatt, Amber Riley, and Ricki Lake. —CG, “I Never Want to See Josh Again.” season 3, episode 5, Rebecca’s mournful “My relationship with her was my first failed romance” beautifully captures the tortured dynamic she’s developed with her mother — but there will be later songs that handle it even better. “We Tapped That Ass” recaps Rebecca’s enthusiastic sex life with both Greg and Josh in excruciating, hilarious detail, with Santino Fontana and Vincent Rodriguez grinning up a storm. —CG, This Shakira-inspired number has a solid claim to the best one-liners of any song on the show. —CF, Rebecca’s realization that she’s falling for Greg manages to be freaked-out and sweet and dirty and ominous all at once. But its 50-second survey of how different genres (pop, country, rock, and rap) utilize the show’s central epithet is pretty damn clever, and appropriate to the series’ increased focus on Rebecca’s mental state in its third season. Detractors will argue that Rebecca’s power anthem of “self-indulgent self-loathing” doesn’t have the witty rhyme structure or clever wordplay of other songs on this list, but for sheer force and power, it can’t be beaten. Vox’s work is reaching more people than ever, but our distinctive brand of explanatory journalism takes resources. Paula spent all of season one acting as Rebecca’s id, initiating all of the petty, vindictive shenanigans that Rebecca claimed she wanted no part in but secretly craved, the way the best friend traditionally does in a romantic comedy. It could’ve been unbearably cheesy, gross to distraction, too impressed with its own profane daring. —GK, The show’s decision to focus closely on Rebecca’s mental health instead of shrugging and saying, “She’s crazy!” was one of the smartest things it could have done in its third season: As soon as Rebecca had an actual diagnosis to work with, her world got a whole lot more grounded and a lot more interesting. The CW’s musical dramedy is one of the lowest-rated shows on television, but it’s beloved by critics, musical theater aficionados, and fans of an artfully deconstructed romantic comedy. The result beautifully brings psychological depth to the romantic comedy best friend trope, and Champlin makes every moment of it shine. You probably need a better mask, too. In this ’80s power anthem homage, the girls indulge in “some kind of primal ritual we need now and then,” i.e., complaining about men as a universal collective. This last song provides a neat flip side to the rampaging title track, which also hints at this album's complexity. It tells the story of Rebecca Bunch, a driven New York lawyer who throws away her career to follow an old crush to his suburban SoCal town and becomes a strip mall lawyer. —AR, “Josh’s Girlfriend Is Really Cool!” season 1, episode 2, The Valencia in Rebecca’s head gets funnier and funnier the more specific her smug preening gets. Get our newsletter in your inbox twice a week. This ranking is as weird and perfect as the show itself. Please consider making a contribution to Vox today, from as little as $3. But that’s the genius of Crazy Ex-Girlfriend — as with Rebecca herself, we come for the facade and stay for the messiness. But the most fun is still to come. Nathaniel Needs My Help! The use of the reprise tells us how fully Heather’s got a read on Greg, while the music underscores how totally not broken up about this breakup she is. To those people, may we suggest exorcising that frustration via a high-energy, martial arts-inflected angry dance (backflips optional)? But, for the Broadway lovers out there, Crazy Ex-Girlfriend songs inspired by real musicals are oh-so-satisfying. “West Covina” (season 1, episode 1) This is where it all began. With new virus variants spreading, it’s probably time to stop. Silvester Beaman have personal and national significance. Filmed in one long take, Greg walks us through his growing dissatisfaction, his gnawing self-loathing, and his seething sense of thwarted ambition, all by glibly declaring he doesn’t care about any of these things. —CG, “Where Is Josh’s Friend?” season 2, episode 1, Rebecca and Josh’s awkward, bubbly chemistry usually serves their story well, but it can’t quite carry a steamy number about uncontrollable sexual passion. That definitely works to a point in “I Go to the Zoo” — particularly as Nathanial points and winks at various zoo denizens as if they were all patrons at the hottest club — but the talk-sing lyrics aren’t quite sharp enough to extend the song’s silly premise over two and a half minutes. —CG, “Josh Is the Man of My Dreams, Right?” season 2, episode 11, With barely more than 15 seconds to work with, this reprise could only pack so much of a punch — but it still makes an impression, thanks to Stephnie Weir’s wide-eyed mania on the riff’s final twist. http://smarturl.it/crazyex1_i —CG, ”I’m Going on a Date With Josh’s Friend!” season 1, episode 4, The moment when Greg leveled up from also-ran to leading man was pure delight, both because it was the show’s only Fred-and-Ginger moment and because it was rife with the wry, self-deprecating self-awareness that made Greg the show’s narrative linchpin throughout season one. Special shout-out to the guy who barely lets Darryl get two seconds into his pitch before blurting out, “Yeah, I don’t live here.” —CG, “Nathaniel Gets the Message!” season 2, episode 9, It feels right that Crazy Ex-Girlfriend’s official 100th song falls squarely in the middle of the pack: It’s solid and a definite game change for Rebecca’s character, but it’s not quite transcendently great. As Rebecca sees it, her mother is a whirling dervish of sanctimonious griping fueled by furious disappointment, and the song tells that story beautifully while wringing punchlines out of hurt. —CG, “Is Josh Free in Two Weeks?” season 2, episode 12, The show gets a lot of mileage from undercutting Nathaniel’s performative masculinity, but this is not its best effort. Rachel Bloom, Vella Lovell, and Gabrielle Ruiz fully commit to their characters’ wide-eyed mania (and bad accents), turning the conceit of this song up to 11 and making us truly believe in the revolutionary power of rosé and nostalgically watching Hocus Pocus. —GK, Whether it’s an unintentional backhanded compliment or a passive-aggressive master stroke, we have to hand it to Darryl for using this song (and a ukulele) to make Paula laugh while guilting us all into appreciating him more. Two songs, actually, in the pilot. —AR, This cutesy Shirley Temple number returns to the well-trod ground of Rebecca’s daddy issues without adding much new. —CF, This song’s meta observations about real life not always conforming to easily digestible narratives is right in the show’s comedic wheelhouse, but that somewhat predictable premise gets a boost from guest singer Josh Groban and his unexpected intrusion into Rebecca’s fantasy world midway through the number. Crazy Ex-Girlfriend just released its season 4 theme song, so let’s take a moment to decide where it belongs in the pantheon of the show’s opening sequences. Starring: Rachel Bloom, Vincent Rodriguez III, Santino Fontana. The season stars Rachel Bloom as Rebecca Bunch, a distraught young woman, dealing with the consequences of pleading guilty to attempted murder at the end of the previous season. —AR, “That Text Was Not Meant For Josh!” season 1, episode 11. —AR, “My First Thanksgiving With Josh!” season 1, episode 6, Greg’s “Piano Man” tribute is a perfect, melancholy response to Rebecca’s joyous anthem to West Covina. In this, his “My Way”-ish goodbye to Rebecca, we see both Greg and the show at their best: clear-eyed, soulful, and willing to leave you wanting more. (Also: She gets to play a sentient cactus.) —CF, “Josh Has No Idea Where I Am!” season 1, episode 15, This hilarious Dreamgirls parody makes it clear that Crazy Ex-Girlfriend can make a song about anything, even vaguely familiar tropes we hadn’t ever really thought that much about. one of the lowest-rated shows on television, Donald Trump just issued a surprise pardon for the man at the center of an epic fight between Google and Uber. Find all 306 songs featured in Crazy Ex-Girlfriend Soundtrack, listed by episode with scene descriptions. —GK, ”Josh’s Sister Is Getting Married!” season 1, episode 16, Pairing Greg, in all his wryness and faux disaffectedness, with the classic sound of West Coast ’90s grunge was one of the show’s smartest moves. We began to judge each other over our voting. —AR, In a dating age defined by apps and sketchy online profiles, there may be no more relatable line in Crazy Ex’s entire repertoire than “Hey, sexy stranger, come back to my place (and please don’t be a murderer).” As a bonus, this early-days pop song is catchy as hell, and includes a breakdown about said sexy stranger’s balls, which “smell so much worse than I feared.” Lyrical dexterity at its finest. But if you’re squinting in confusion at this song’s high placement, we’re going to go ahead and assume you haven’t watched the above explicit version, which ramps everything up to 11. Loneliness and alienation a definitive ranking of Crazy Ex-Girlfriend of fun for all early Bunch 101 on the fundamental of... Where it all began we find out just how cool a definitive ranking of Crazy Ex-Girlfriend season 1, 11... Two-Minute-Long poop joke, now don ’ t know it from his last speech before leaving.... 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