Johann Sebastian Bach (1685–1750) Wachet auf, ruft uns die Stimme, BWV 140. At the Manger: 27 December 2020. 1-9. II. BACH Weihnachts-Oratorium Oratorio de Noël – Christmas Oratorio (BWV 248) CD1. There is a channel on YouTube I visit frequently called the "Netherlands Bach Society" that has a large number of Bach performances in stunning audio and video quality. Rebuild our MP3 Catalog in the Coming Months. (T) Evangelist And there were shepherds in that very region in the field nearby their sheepfolds, who He also used the hymn's text and melody in the second movement of the cantata Sehet, wir gehn hinauf gen Jerusalem, BWV 159. Shepherds and Angels: 26 December 2020. "It is based on the biblical narrative of the birth of Jesus, the angelic annunciation, and the adoration of the shepherds. 5); Martin Luther (Mvts. Choral versions of all these chorales may be found on YouTube by searching for the BWV number. Subscribe to our YouTube Channel to receive notifications! Mauricio Kagel quoted the hymn at the end of his oratorio Sankt-Bach-Passion telling Bach's life, composed for the tricentenary of Bach's birth in 1985. Voll Schmerz und voller Hohn, Auf, preiset die Tage (Shout for joy, exult, rise up, praise the day), BWV 248 I (also written as BWV 248 I), is a 1734 Christmas cantata by Johann Sebastian Bach that serves as the first part of his Christmas Oratorio.Bach was then Thomaskantor, responsible for church music at four churches in Leipzig, a position he had assumed in 1723. Yet, though despised and gory, The Angeles Chorale performs "Ah! He borrowed the music for the opening chorus from another cantata, but forgot and copied the old words into the score, which he then had to cross out. Check out J.S. O Haupt, zum Spott gebunden Hymns of The Church of Jesus Christ of Latter-day Saints (1985 book), Befiehl du deine Wege § Hassler hymn tune, Online copy, New Advent (retrieved March 8, 2013), "O Haupt voll Blut und Wunden - Text and Translation of Chorale", Jesus Christus, unser Heiland, der den Tod überwand, Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt, O Dearest Jesus, What Law Hast Thou Broken, The golden sunbeams with their joyous gleams, https://en.wikipedia.org/w/index.php?title=O_Sacred_Head,_Now_Wounded&oldid=999232417, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 January 2021, at 03:48. Angeles Chorale - "How shall I fitly greet thee" Bach Christmas Oratorio BWV 248 - Duration: 1:16. The text by Gerhardt consists of 10 verses, of which the first and final one are transcribed below:[2]. 10-23. Mit einer Dornenkron; Sinfonia 2 (11). Mine eyes shall then behold Thee, The German hymn begins with "O Haupt voll Blut und Wunden". Buy 2 SACDs or download online. The melody of "American Tune" by Paul Simon is based on the hymn. ", Catherine Winkworth also translated the text and published it in her collection of German hymns, Lyra Germanica, giving it the title Ah wounded Head! my shield when I must die; Jetzt aber höchst schimpfieret: Bach Christmas Oratorio BWV248 The Birth of Jesus: 25 December 2020 . Although Gerhardt translated the whole poem, it is the closing section which has become best known, and is sung as a hymn in its own right. Bach also craftily employed the melody as a counterpoint in half-time in the opening aria of the cantata Komm, du süße Todesstunde, BWV 161, and set it for four parts to close that cantata. Johann Sebastian Bach arranged the melody and used five stanzas of the hymn in four different settings in his St Matthew Passion. with grief and shame weighed down, This is the version used in the 1940 Hymnal (Episcopal), the 1982 Hymnal (Episcopal; stanzas 1-3 and 5), and the Church of England's New English Hymnal (1986) and several other late 20th-century hymn books. A real top-notch production. Provided to YouTube by Universal Music GroupJ.S. The CyberBass Project is Working Tirelessly to. Harnoncourt - Bach - Christmas Oratorio BWV 248 ... - YouTube dearest Jesus holy child" (Ach mein herzliebes Jesulein!) Stream songs including "Christmas Oratorio, BWV 248: I Chorus: "Jauchzet, frohlocket"", "Christmas Oratorio, BWV 248: II Evangelist: Es begab sich aber zu der Zeit"" and more. Must Thou[3]. Friday Choral Connection on WRTI 90.1 With Debra Lew Harder Fridays @1:30pm December 11th David Ludwig: Channukah Cantata December 18th Bach Christmas Oratorio Part 1 December 25th Heinrich Schütz: Magnificat / Praetorius - Benedicamus Domino April 2nd Bach… Dich fest an mein Herz drücken. Recit. Below are the same verses, in the 1830 version by J.W. The poem is often attributed to Bernard of Clairvaux (1091-1153), but is now attributed to the Medieval poet Arnulf of Leuven (died 1250). Erscheine mir zum Schilde, The Naming of Jesus: 1 January 2021. The holidays may be over, but that doesn’t mean the good cheer needs to end. I'm a fan of Bach's choral works all year around - not just at Christmastime - as well as most all of his other works. Published in Hymns Ancient and Modern, it begins, "O sacred head surrounded by crown of piercing thorn. The tune was appropriated and rhythmically simplified for Gerhardt's German hymn in 1656 by Johann Crüger. Bach - Christmas Oratorio : The Sale of MP3 Audio Files. The first recording on period instruments of Bach's Magnificat, with the four choral Christmas interpolations (BWV 243.1), was released by Simon Preston and the Academy of Ancient Music in 1978 (L'Oiseau Lyre / Decca), coupled with Vivaldi's Gloria. It is also employed in the final chorus of "Sinfonia Sacra", the Ninth Symphony of the English composer Edmund Rubbra. Johann Sebastian Bach put together his Christmas Oratorio, BWV 248, sometime in the fall of 1734 for the coming Christmas season. He reworked the Latin version to suggest a more personal contemplation of the events of Christ's death on the cross. Remind me of Thy passion [5] Bach used the melody on different words in his Christmas Oratorio, in the first part (no. Bach also craftily employed the melody as a counterpoint in half-time in the opening aria of the cantata Komm, du süße Todesstunde, BWV 161, and set it for four parts to close that cantata. 5). Bach: Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas - No. Paul Gerhardt wrote a German version which is known by its incipit, "O Haupt voll Blut und Wunden". CHRISTMAS ORATORIO Weihnachts-Oratorium, BWV 248 Johann Sebastian Bach (1685–1750) Dana Marsh, Artistic Director Part I: The First Day of Christmas Jauchzet, frohlocket, auf, preiset die Tage, BWV 248I Friday, 12.25.20 at 8 p.m. YouTube & Facebook Part II: The Second Day of Christmas Und es waren Hirten in derselben Gegend, BWV 248II Alexander: O sacred Head, now wounded, ", referring to Bridges' translations for the Yattendon Hymnal, of which he was the editor. Franz Liszt included an arrangement of this hymn in the sixth station, Saint Veronica, of his Via crucis (Stations of the Cross), S. 504a. Und laß mich sehn dein Bilde My heart by faith enfolds Thee. In 1899 the English poet Robert Bridges (1844-1930) made a fresh translation from the original Latin, beginning "O sacred Head, sore wounded, defiled and put to scorn." JOHANN SEBASTIAN BACH (1685-1750)"Weihnachtsoratorium" Cantata No. "'Christmas Oratorio' is one of J. S. Bach's most exciting works," said Karl Nelson, D.M.A., Central's director of choral studies and conductor of both the Concert Chorale and the Edmond Community Chorale. The English Hymnal, 1906 has a translation attributed to "Y.H. when my last hour draws nigh. The poem was translated into German by the Lutheran hymnist Paul Gerhardt (1607–1676). Bach, J S: Christmas Oratorio, BWV248. Welcome Letter Bach Interactions Cantatas Christmas Oratorio. Gegrüßet sei'st du mir! The hymn is based on a long medieval Latin poem, Salve mundi salutare,[1] with stanzas addressing the various parts of Christ's body hanging on the Cross. Has been Temporarily Discontinued. 2 1996 The Best of Operetta, Vol. Cantata II Und es waren Hirten in derselben Gegend. Bach used the same hymn in other organ compositions as well as in the cantatas BWV 64, 91 and 248, parts I and III (the Christmas Oratorio). J.S. Christmas Oratorio II 1 (10). Nicolaus Harnoncourt's first recording of the D major version followed in 1984. Bach, J.S. with thorns, Thine only crown; His translation begins, "O Head so full of bruises." The Danish composer Rued Langgaard composed a set of variations for string quartet on this tune. Cantata BWV 248/1 Jauchzet, frohlocket, auf, preiset die Tage (Weihnachts-Oratorium I) English Translation in Interlinear Format Cantata BWV 248/1 - Shout for joy, exult, rise up, glorify the day Christmas Oratorio I: Event: Cantata for Christmas Day Readings: Epistle: Titus 2: 11-14 / Isaiah 9: 2-7; Gospel: Luke 2: 1-14 Who dieth thus dies well. J.S. Combattimento Consort Amsterdam & Capella Amsterdam, Jan Willem de Vriend Karl RichterBach for Brainpower℗ 1965 Deutsche Grammophon GmbH, BerlinReleased on: 2021-01-19Producer, Recording Producer: Hans WeberStudio Personnel, Balance Engineer: Hans-Peter SchweigmannComposer: Johann Sebastian BachAuthor: Christian Friedrich HenriciAuto-generated by YouTube. Da will ich nach dir blicken, Peter, Paul & Mary and the Dave Brubeck Trio performed "Because all men are brothers" on their album "Summit Sessions". I. TEIL – Jauchzet, frohlocket, auf, preiset die Tage 25’52 Am ersten Weihnachtsfeiertag. Chorale Recitative Aria duetto Chorale Recitative Aria Duetto Chorale. Christmas Oratorio, BWV 248: Chorale: Wie soll ich dich empfangen (Chorus) ... Bach: Coffee Cantata, Peasant Cantata 1992 J.S. Be Thou my consolation, Karen Lynn Davidson (born 1943) wrote another English translation, titled "O Savior, Thou Who Wearest a Crown," which is published in Hymns of The Church of Jesus Christ of Latter-day Saints (1985 book).[4]. Chorale 1 Aus meines Herzes Grunde (BWV 269) Most of these pdf and audio files of the 371 Bach Chorale harmonizations are derived from MusicXML files produced by Margaret Greentree. 9 Choral: "Ach mein herzliebes Jesulein" by The Monteverdi Choir & English Baroque Soloists & John Eliot Gardiner on Amazon Music. Bach used the melody on different words in his Christmas Oratorio, in the first part . In deiner Kreuzesnot! Bach: Christmas Oratorio (Highlights) 1999 The Best of Operetta Vol. Mit höchster Ehr' und Zier, Cantata III Herrscher des Himmels, erhöre das Lallen. Another English translation, based on the German, was made in 1861 by Sir Henry Williams Baker. III. In 1830 a new translation of the hymn was made by an American Presbyterian minister, James Waddel Alexander (1804-1859). Like & Follow us on Facebook. The hymn was first translated into English in 1752 by John Gambold (1711–1771), an Anglican vicar in Oxfordshire. The melody as it appears in movement 54 of the St Matthew Passion by Bach: The music for the German and English versions of the hymn is by Hans Leo Hassler, written around 1600 for a secular love song, "Mein G'müt ist mir verwirret [de]", which first appeared in print in the 1601 Lustgarten Neuer Teutscher Gesäng. ... Bach, Christmas Oratorio, BWV 248 [1/6] - … "O Sacred Head, Now Wounded" is a Christian Passion hymn based on a Latin text written during the Middle Ages. O Haupt voll Blut und Wunden, Stream ad-free or purchase CD's and MP3s now on Amazon.com. Wer so stirbt, der stirbt wohl. what bliss till now was Thine! 24-36. Bach: Christmas Oratorio, BWV 248 / Pt. Da will ich glaubensvoll The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season.It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. Challenge Classics: CC76607. Listen to J. S. Bach: Christmas Oratorio by English Baroque Soloists & John Eliot Gardiner on Apple Music. Please Consider Purchasing a Learning CD ... Choral Midi Files. : Christmas Oratorio Greg Funfgeld, Bach Choir of Bethlehem, The Bach Festival Orchestra, Marietta Simpson, Benjamin Butterfield, Christopheren Nomura & Tamara Matthews ... Christmas Oratorio, BWV 248: Part I: Choral: Wie soll ich dich empfangen (Chorus) TEIL – Und es waren Hirten in derselben Gegend 27’03 Am zweiten Weihnachtsfeiertag. In many cases I also consulted the published scores. The last part of the poem, from which the hymn is taken, is addressed to Christ's head, and begins "Salve caput cruentatum." "Stop Error" on Provincial by John K Samson also uses the same melody. ... September 27, 2020 at 5 p.m. on YouTube. Cantata BWV 248/1 - Shout for joy, exult, rise up, glorify the day Christmas Oratorio I: Event: Cantata for Christmas Day Readings: Epistle: Titus 2: 11-14 / Isaiah 9: 2-7; Gospel: Luke 2: 1-14 Text: Christian Friedrich Henrici (Picander); Paul Gerhardt (Mvt. Cantata I Jauchzet, frohlocket! upon Thy cross shall dwell, I joy to call Thee mine. Bach: Christmas Oratorio, BWV 248 Eric Ericson, The Eric Ericson Chamber Choir, Gunnar Lundberg, Drottningholm Baroque Ensemble, Monica Groop, Howard Crook & Christiane Oelze Judging by the autograph score, he was working fast. Angeles Chorale 2,367 views. O sacred Head, what glory, Jauchzet, frohlocket! Luther’s popular Christmas chorale, “Gelobet seist du, Jesu Christ” (All Praise to Thee, O Jesus Christ), was the Hymn of the Day (de tempore) during Christmas Time in Leipzig, says Bach’s hymnbook, the Vopelius Das Neu Leipziger Gesangbuch of 1682. Now scornfully surrounded Und es waren Hirten in derselben Gegend ("And there were shepherds in the same environs"), BWV 248 II (also written as BWV 248 II), is a 1734 Christmas cantata by Johann Sebastian Bach as the second part of his Christmas Oratorio.Bach was then Thomaskantor, responsible for music at four churches in Leipzig, a position he had assumed in 1723.. Zum Trost in meinem Tod, [2] It first appeared in Johann Crüger's hymnal Praxis pietatis melica in 1656. Alexander's translation, beginning "O sacred head, now wounded," became one of the most widely used in 19th and 20th century hymnals. The chorale prelude is scored for two manuals and pedal, with the cantus firmus in the soprano voice on the upper manual. 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