62 has no accidentals (A minor). Label: Angel Records - S 36163,Angel Records - 36163,Angel Records - S. 36163 • Format: Vinyl LP, Stereo • Country: UK • Genre: Classical • [4][5] Movement numbers in this article follow the NBA scheme, except for the table with the movements that cross-references both numbering systems. The St Matthew Passion was not heard in more or less its entirety outside Leipzig until 1829, when the twenty-year-old Felix Mendelssohn performed a version in Berlin, with the Berlin Singakademie, to great acclaim. Wir setzen uns mit Tränen nieder (Chorus I & II). "), choir I reflecting: "Your grave and headstone shall, for the anxious conscience, be a comfortable pillow and the resting place for the soul. The closing chorus is in da capo form for two choirs. (My God, my God, why have you forsaken me? Bach used the hymns in different ways, most are four-part setting, two are the cantus firmus of the two chorale fantasias framing Part I, one as a commenting element in a tenor recitative. There had already been a long history of Passion music – that is musical settings telling the story of the final, short period in the life of Jesus. Choir II consists of SATB voices, violin I, violin II, viola, viola da gamba, cello, two traversos, two oboes (d'amore) and possibly continuo. [22], In 1824, Felix Mendelssohn's maternal grandmother Bella Salomon had given him a copy of the score of the Passion. Bach: St. Matthew Passion, Choruses and Arias de Edith Mathis - Année de production 1980 Johann Sebastian Bach's St Matthew Passion (Matthäuspassion), BWV 244, is structured on multiple levels: the composition is structured in three levels of text sources (Gospel, libretto and chorales) and by the different forms that are used for musical expression (arias, recitatives and choruses). English music album J.S. Each aria marks the musical summit of the work in question. Pilate interrogates Jesus (No. Strings are violin (Vn), solo violin (Vs), viola (Va), lute (Lt), and viola da gamba (Vg). After 16 measures of instrumental introduction in 128 time, driven by an ostinato rhythm in the basses, Chorus I intones Kommt, ihr Töchter, helft mir klagen, until in measure 26 they sing Sehet (Hark!) Please Consider Purchasing a Learning CD → CyberBass ® Learning CDs. a maximum of what could be fitted in the organ lofts. [15] The opening chorus, "Kommt, ihr Töchter, helft mir klagen" is also notable for the use of chorale cantus firmus, in which the soprano in ripieno crowns a colossal buildup of polyphonic and harmonic tension, singing a verse of "O Lamm Gottes, unschuldig". Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner", a song by Claudia Schubert on TIDAL [1], As is typical of settings of the Passion (and originating in its liturgical use on Palm Sunday), there is no mention of the Resurrection in any of these texts (apart from indirect allusions at Matthew 26:32 and 27:53 and 63). A scene in Bethany (No. Hier zittert das gequälte Herz, Der Heiland fällt vor seinem Vater nieder. While soprano and alto mourn (in duet, No. Bach: Matthäus-Passion - Arien & Chöre. Sind Blitze, sind Donner in Wolken verschwunden? and Aria (with Chorus II: Ich will bei meinem Jesu wachen) for tenor, Aria for soprano and alto (with Chorus II: Laßt ihn, haltet, bindet nicht!) by Chorus II, to which Chorus I answers als wie ein Lamm (just like a lamb – another reference to Christ). In the morning (No. No. "Chief priests demand the tomb be sealed", solo: soprano, alto, tenor, bass, soliloquents, This page was last edited on 8 May 2020, at 23:52. On the way to the crucifixion site (No. The words of Jesus, also termed Vox Christi (voice of Christ), usually receive special treatment. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Soliloquents are Judas (B), Peter (B), two witnesses (A T), two high priests (B), two maids (S), Pilate (B), and his wife (S). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. Bach If my weeping and my wailing (St Matthew Passion) J.S. Matthew 26:1–2 places the first scene two days before the Passover feast. Bach created particularly distinctive accompagnato recitatives in this work: they are accompanied not by continuo alone, but also by the entire string section of the first orchestra using long, sustained notes and "highlighting" certain words, thus creating an effect often referred to as Jesus's "halo". The next scene (No. [9], Bach revised the Passion by 1736, for a performance on Good Friday 30 March 1736. The bass aria No. Aria Alto II: Können Tränen meiner Wangen song and explore 0 videos made by new and popular creators. IJB 390 Key E minor Movements/Sections Mov'ts/Sec's: 2 parts in 68 numbers (numbering varies according to edition) Contents Listing; Year/Date of Composition Y/D of … 27b) furiously demands against the Jews who arrested Jesus "Zertrümmre, verderbe, verschlinge, zerschelle/ Mit plötzlicher Wut/Den falschen Verräter, das mördrische Blut!" They are sung by soloists with a variety of instrumental accompaniments, typical of the oratorio style. The Passion was performed under the Cantor of St. Thomas until about 1800. The St. Matthew Passionwas probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musiciof Leipzig. Woodwinds are recorders, flauto traverso (transverse flute) (Ft), oboe (Ob), oboe d'amore (Oa), and oboe da caccia (Oc). The two main schemes in use today are the scheme from the Neue Bach-Ausgabe (NBA, New Bach Edition) which uses a 1 through 68 numbering system, and the older Bach-Werke-Verzeichnis (BWV, Bach Works Catalog) scheme which divides the work into 78 numbers. In 1730, Bach informed the Leipzig Town Council as to what he saw as the number of singers that should be available for the churches under his responsibility, including those for the St. Thomas Church: a choir of twelve singers, plus eight singers that would serve both St. Thomas and the Peterskirche. The first two lines of the hymn are a rhetorical question: "My dearest Jesus, which crimes have you committed, that such dire judgement has been passed? [4] The performance took place in the St. Thomas Church (Thomaskirche) in Leipzig. Edith Mathis (soprano), Janet Baker (mezzo), Peter Schreier (tenor), Dietrich Fischer-Dieskau (baritone), Matti Salminen (bass) Münchener Bach-Orchester, Karl Richter, Georg Ratzinger (chorus-master) The presenter and explicator was Leonard Bernstein, who introduced the St Matthew Passion as "that glorious work that started me off on my own private passion for Bach."[33]. After the meal they go together to the Mount of Olives (No. This 2019 recording marks 20 years for that recording, with the complete sacred and secular cantatas behind them, not to mention numerous recordings of other composers. View credits, reviews, tracks and shop for the 1962 Vinyl release of Arias From St. Matthew Passion on Discogs. Koop 'Bach: St. Matthew Passion - Arias & Choruses van Berliner Philharmoniker' MP3 download online 7digital Nederland - Ruim 25 miljoen tracks van hoge kwaliteit in onze winkel Sometimes the rhythms are smooth and flowing, in imitation of the many fluids that course through the text: precious ointment, water, tears, blood, wine. They vote to crucify Jesus, Pilate gives in, washing his hands claiming his innocence, and delivers Jesus to torture and crucifixion. soloists sing arias, in most cases preceded by an accompagnato recitative, and occasionally in a dialogue with the choir. View credits, reviews, tracks and shop for the 1962 Vinyl release of Arias From St. Matthew Passion on Discogs. The first scenes are in Jerusalem: Jesus announces his death (No. [6], At the time only men sang in church: high pitch vocal parts were usually performed by treble choristers. 1727 sacred oratorio by Johann Sebastian Bach, Versions and contemporaneous performances, First version (BWV 244.1, previously 244b), Funeral cantata for Köthen (BWV 1143, previously 244a), Passion performances in the St. Thomas Church, Later revisions and performances (BWV 244.2, previously 244), Herzliebster Jesu, was hast du verbrochen, Without text (played by organ only) in older versions of the Passion, Klagt, Kinder, klagt es aller Welt, BWV 244a, St Matthew Passion structure § Numbering of the movements, List of chorale harmonisations by Johann Sebastian Bach § BWV 244–244b, Learn how and when to remove this template message. Staged productions of the Passion include Lindy Hume's 2005 production for the Perth International Arts Festival, restaged in 2013 for Opera Queensland with Leif Aruhn-Solén [sv], Sara Macliver, Tobias Cole; and Peter Sellars' 2010 production with the Berlin Philharmonic under Simon Rattle with Mark Padmore, Camilla Tilling, Magdalena Kožená, Topi Lehtipuu, Christian Gerhaher and Thomas Quasthoff. Herzliebster Jesu, was hast du verbrochen, Without text (played by organ only) in older versions of the Passion, Und da sie den Lobgesang gesprochen hatten, O Schmerz! These are not always sung by all different soloists. The 20-year-old Felix himself conducted the rehearsals and first two performances by the Singakademie. Check out Bach: Famous Chorals & Arias From St. Matthew Passion, BWV 244 by Ludmila Hadjieva, Buriana Tabakova, Nikolai Warionov, Plamen Peikov, Orchestra of Radio Sofia, Choir of Radio Sofia, Ivan Marinov on Amazon Music. Outside in the courtyard (No. These sections are based nearly exclusively on texts by. The arias are taken from Bach's major works: Buss' und reu from and Erbarme dich from the St Matthew Passion, Wo zwei und drei and Zum reinen wasser which appear in the Eastertide cantatas, and the Agnus Dei from the B Minor Mass. Other libretto sections came from publications by Salomo Franck and Barthold Heinrich Brockes.[14]. These performances would … St. Matthew Passion - Arias & Choruses J.S. Part Two uses Matthew 26:57–75 and Matthew 27:1–66. In the evening (No. St. Matthew Passion is an oratorio, which is a musical drama. Écoutez de la musique en streaming sans publicité ou achetez des CDs et MP3 maintenant sur Amazon.fr. Two arias (‘Buss und Reu’ and ‘Erbarme dich’) are drawn from the St Matthew Passion, two (‘Wo zwei und drei versammlet sind’ and ‘Zum reinen Wasser’) from Eastertide cantatas, and the Agnus Dei is from his most spectacular choral work: the B minor Mass. 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